Critique for Eftihias latest exhibition in "Tehni" Gallery, Kilkis.

Occasionally dealing with photography, ceramics, hagiography and jewelry.
The report consists of specific engravings.
As a creator is not the origins of the only visual reality-and whether to accept suggestions from this, but attempts to integrate the work of any kind techniques.
Experimenting and using all types of areas of engraving, an evidence of the painting, features fiction, characteristics of the conscious and subconscious of the world in order to reach a purely personal expression.
In woodcut, engraving, lithography, linoleoum, black and white and color prints,Petala moves around the human, as defined and set in a framework of values and strong emotions.
Trying through various techniques of engraving, different materials to express a personal way meetings, concerns, confessions to the world of the human soul.
Using the role of the opposition of the black-white, with the gap filled and moving in a different direction each time stylistic trend, seeking in this way the path of.
One uses an abstract vocabulary and ypainiktika and on the other schematization. It uses the black and white and color prints to the sincerity and conviction in the formalities of personal.
The need of human contact made with allusion to a narrative series of engravings, in forms of human-persons - as part of a schematization that reaches the limits of deflection.
With the forms appear in an indeterminate space, form and closed in themselves, be a tension ekfazei internal vibrations.
Thoughts, feelings, images are organized on the surface of all forms of media combined curvilinear and angular parts, which dominate strange combinations of lines and highlighted contrasts open and dark parts.
The juxtaposition of the red line marks the risk of the need, the thirst of society with another.
In this way the Petala trying to give a separate meaning to each project but also to connect their own as a set of thought and concern.
Is also negotiating filias.tis concepts like camaraderie, love of communicating in a series of small prints, called ex-libris
The minimum area used by the plan accomplishes an astonishing ability to make sets in which the acidity emerges through morfikous other combinations, sometimes with figurative and abstract formulations sometimes in conjunction with them.
In this way, trying to express its own internal meetings with the world.
The character of the area, but the atmosphere of each of these projects involve
the viewer to the magic.
Broaden the content of expressive language over a large area in an attempt to combine the key elements of engravings painted with clear values.
This creates prints in which color becomes strength and dominates in the schematization of forms.
Sometimes using the partitioning of Pop-Art, which combines with symbolic issues to reach an integrated result. In an attempt to break from the emotional intensity, combine vertical, horizontal, diagonal elements giving an enigmatic atmosphere in almost all of those color works with elliptical way trying to give the subject matter.
It is a surreal features engraving with trends such as problem-space, enigmatic atmosphere, tables within the table, abstract and figurative elements.
The Happiness Petala us in a world of that particular art prints, through creations that are distinguished by the extent of the searches, and the wealth of personal wording.
It is a new voice in one so near and one question simultaneously both unknown artistic territory. Wanting to make the multidimensional nature of the world of emotions and thoughts, experimenting with the expressive potential in the opportunities offered by the engraving
velkou kiki